Satanic Vision

[Eurovision 1998 winner, Israel’s Dana International, performing “Diva” in 2015]

To prove reincarnation, you only need to state the obvious. It takes at least a dozen lifetimes for even high-IQ overachievers to reach the first grade, intelligence wise. After a thousand lifespans, your average Smith or Nguyen will, at best, end up as a stinkbug or centipede. Threatened, they’ll bite then curl up into a tight ball, so they’re actually smarter than most men. They can recognize obvious danger.

I do crack the worst jokes! Everything is fine. Most gloriously, Eurovision has just concluded. Much more watched than the Superbowl, it’s a true window into the state of Western culture. This year sees its first non-binary winner, Switzerland’s Nemo.

They explains their winning song, “‘The Code’ is about the journey I started with the realization that I am neither a man nor a woman. Finding myself has been a long and often difficult process for me. But nothing feels better than the freedom I have gained by realizing that I am non-binary.”

Nazis, though, only saw a swishy man prancing around in a fluffy pink top and bologna colored mini skirt. Nemo’s like a David Bowie who could dance or Mick Jagger born 56 years later.

A drag queen had already won in 2014. With her beard, Austria’s Conchita Wurst resembled a queer Jesus. Her triumph was seen as the West’s response to Russia’s 2013 law prohibiting the promotion of “non-traditional sexual relationships” to children. Suck on this weisswurst, Putin!

For three years straight, Russia has been banned from Eurovision, though Israel, a nation not in Europe, is an annual participant. Special rules for Jews are always kosher.

In 1998, Israel’s Dana International was Eurovision’s first transgender winner. Twenty years later, Eve Barlow reflected in The Guardian:

She was tall, svelte and glamorous in a floor-length glitter gown, with luscious brown curls and the kind of dramatic arm movements that would put an ice dancer to shame. Plus, she had an unmistakable pronunciation of the word Cleopatra. Dana International cut a dazzling figure in May 1998 when she won Eurovision for Israel. Her song, Diva, had a lot to do with it: an earworm with a thick club beat and a karaoke-ready chorus that you could make up as you went along if you didn’t quite catch all the Hebrew.

Dana was also Eurovision’s first ever trans winner. Twenty years ago there was no Ru Paul or Trixie Mattel; the Oscar-winning Hilary Swank movie Boys Don’t Cry was a year away. The likes of TV series Transparent, or actors such as Laverne Cox, were off in the distance. The trans community wasn’t invisible, but it wasn’t the staple of the pop culture conversation that it has become; Dana’s performance at Birmingham’s National Indoor Arena felt like a watershed moment, a major celebration of a trans artist on an international stage.

But who is Eve Barlow? On 5/7/24, she wrote:

There are still fewer Jews in the world today than there were before the Holocaust.

That’s a stark thought for the day. But in particular this day—Yom Hashoah, the Jewish memorial day for the Holocaust. A day to specifically honor the six million Jewish souls who were systemically murdered by 20th century Nazism. And I say 20th century Nazism, because we are now witnessing a second coming, and a perhaps even more dangerous wave, of this Nazism; the most overt display of which was in Southern Israel on October 7 last year.

Palestinians fighting against European invaders are Nazis! As for innocents being systemically butchered, why bother with Gaza when there’s so much glamor and excitement at Eurovision?

Just before the Jewjab genocide, Madonna performed a macabre number at Eurovision 2019 in Tel Aviv. The stage was transformed into a dark, red lit cathedral with cowled, sinister figures. Church bells tolled. To a screaming, ecstatic crowd, the 60-year-old icon appeared with a black eye patch crossed by a silver X. As gas masked bodies dropped all around her, the 60-year-old icon sang:

Not everyone is coming to the future
Not everyone is learning from the past
Not everyone can come into the future
Not everyone that’s here is gonna last (Gonna last)

If the Satanic or perverse has become routine at Eurovision, it’s because white people demand it! Take Ireland’s 2024 representative, Bambi Thug. Horned and snarling, the pallid singer writhed and convulsed over a pentagram. Crawling around her was a cadaver like dancer with a blue tongue and fangs filling his mouth. Turned on by this hellish couple, the white crowd was orgasmic! Voted 6th by both the jury and public, Bambi Thug ended up in 6th place, so 666 it is, a neat coincidence.

The UK’s entry, Olly Alexander, was much more wholesome. In a green lit bathhouse, five buff queers merely kissed, caressed and dry humped.

Spain’s Nebulossa flaunted a middle aged chick sandwiched by two half naked beefcakes. To make it as a singer in the West, one must master pole and lap dancing.

That shit’s spreading. In Thailand, there’s Pearja. Her video, “Fierceky,” has Toi Boi from Atlanta rapping to quaking Oriental asses, “Tonight she my queen, she be so sweet, with that coochie so mean, tasty and sweet. Yeah, the coochie so clean!”

American poetry isn’t dead! Author of similar lyrics, GloRilla has just been invited to the White House to meet Joe Biden and Kamala Harris.

In backward Vietnam, women still don’t know how to twerk and there are no horned singers, but I, for one, am glad there’s nothing like Eurovision in Asia. The US can keep the half Vietnamese Tyga.

I’m lucky to only be at that plague’s periphery. From half a world away, it’s nauseating enough.

[winner of Eurovision 2014, Conchita Wurst]

[Madonna at Eurovision in Tel Aviv in 2019]

[Vladimir Zelensky and partner play the piano with their penises on Ukrainian TV]